Clipse - Til The Casket Drops
Title [Til The Casket Drops ]
Artist [Clipse ]
Label [Sony ] Genre [Hip-Hop ]
Quality/Size [44.1 @VBR 73,4 MB] Ripped [12-03-2009 ]
Grabbed from [CDDA ] Enc [Lame 3.97 ]
Website [google ]
Track Time Title
01 03:47 Freedom
02 04:20 Popular Demand (Popeyes) Ft. Camron & Pharrell
03 03:26 Kinda Like A Big Deal Ft. Kanye West
04 03:39 Showing Out Ft. Yo Gotti
05 04:21 Im Good Ft. Pharrell
06 03:37 There Was A Murder
07 05:08 Door Man
08 03:21 Never Will It Stop Ft. Ab Liva
09 03:50 All Eyes On Me Ft. Keri Hilson
10 03:18 Counseling Ft. Nicole Hurst
11 04:14 Champion
12 04:21 Footsteps
13 04:27 Life Change
Totals
13 51:49 min
Release Notes:
The Clipse are seeking redemption. For rappers, and literal brothers, Malice and Pusha T, the rap biz has been bipolar, full of ups and downs. While their original planned debut, Exclusive Audio Footage, was shelved, their proper debut on Jive Records, Lord Willin (2002), was met with much praise and near-platinum sales. Unfortunately, label shenanigans delayed the Virginia duos sophomore salvo by four years. Like the We Got It 4 Cheap mixtapes their devotees rabidly consumed in the interim, 2006s Hell Hath No Fury was also critically lauded (it earned a perfect XXL rating in this magazine), thanks to reflectivestreet songs like the solemn Nightmares and the admirable Momma Im So Sorry. Still, despite all of the adoration, HHNF failed to move weight at registers, or iTunes, stalling out at about 205,000 copies sold to date. As persistent with their product as ever, the Clipse return for the hat trick, this time on Columbia Records. And despite its grim title, Til the Casket Drops is more about celebrating life than foreshadowing a tragic d demise.
From the onset, the discs beats are epic in scale. On the albums intro track, the Sean C & LV produced Speak of Freedom, Pusha spits, All the apologies, I wear the cross, I bear the blame/We in the same group, but I dont share my brothers pain, as he goes on to talk of music as a self-made prison. Separately, Malice speaks of a similar sentiment, when he questions, ôHow was I to know I was happy being piss poor?ö over a perfect sound bed of rapid-fire drums, melodic strings and rock-guitar accents.
It is key to note that, until now, The Neptunes have been the sole sound providers of the two previous Clipse albums, but on Til the Casket Drops, Pharrell and Chad make a little room for Cali producer DJ Khalil and the aforementioned Sean C & LV. Rather than being stark contrasts, the outside contributions blend right in with The NeptunesÆ otherworldly sonic bleeps and bangsùso much so that itÆs Khalil who laces the bum-rushing, Kanye Westûassisted lead single, ôKinda Like a Big Deal,ö and the standout, dancehall-tinged ôThere Was a Murder,ö two menacing additions to the ClipseÆs catalog that otherwise wouldnÆt exist had the group not branched out.
Just as with their prior releases, it is the duoÆs ability to go out on a limb, beyond coke-fueled trappings, that remains their strong suit. On Champion,Malice kicks, A long way from pumpin in housing projects/Investing in real estate, weighing out my prospects, while a shimmering synth and numbing bass play in the background. Lord Willin and Hell Hath pounded listeners with tales of Pyrex, yet this album is more nuanced. Never mind the saccharine, Keri Hilsonûlaced radio volley All Eyes on Me the Clipses need for something resembling a radio hit is to be expected. Instead, more emphasis should be put on the mid-90s-sounding sonically fare much better.
But donÆt think for a second that the brothers Thornton have become milquetoast MCs who have forgotten their struggles. At least for a moment, the chest-thumping Never Will It Stop quells such notions and gives a nod to the Clipse of old. Says Malice, ôChild of a lesser God, so when I drop the top on the Porsche/Its my way of reaching for the Lord.
Playing both sides, though, is nothing new to the pair. Paranoia-stained verses with touches of spirituality is a formula the brothers have perfected. Malice, whose pointed barbs are a highlight of the album, weaves these themes into his bars more and more often. Consider it hip-hop gospel, but without the cheesiness. It is most evident on Life Change, where he admits that he was wretched, pitiful, poor, blind and naked, before adding, Money, hoes and clothes is Malices past tense.
Combining an even mix of maturity and playfulness (check Back by Popular Demand featuring Camron), the Clipses future remains as prosperous as ever. With Til the Casket Drops serving as a return to grace, theres proof positive that Pusha T and Malice still have much to live for.
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